Here's the first patch I put together using my newly-assembled Synthrotek EKO Delay module. The EKO uses the trusty Princeton PT2399 delay chip, which - when pushed to extremes - does some very strange and wonderful things: Breaking up, glitching, going all lo-fi and "glassy".....all good fun! The sound source is my old favourite, the Harvestman Piston Honda - one of the few modules that I sold, and then had to buy back as I missed it so much. I tried out the mk.2 version, but found that I actually preferred the mk.1. Its pitch is modulated by an a149-1 random voltage, as is its wavetable. It is fed through the wonderful CLEE Quad VC-Resonant Gate (LPG), whose Cutoff is "pinged" by a sharp Exponential envelope from Maths, whilst also being modulated by the a149-1. The "mode" (resonance) of the CLEE is also modulated, and during the recording I manipulate the cutoff and other controls manually.
The Piston and EKO certainly make a very nice lo-fi/ glitchy pairing, and the CLEE smooths off some of the rough edges. This channel of the CLEE has been trimmed so that it has a very restrained resonance, even at its highest settings, which makes it easier to jam with than some resonant LPGs - which can suddenly get very harsh when pushed beyond a certain point.
Zero processing used on this recording - simply the output of the EKO recorded into Logic, with a tiny bit of limiting on it.
J.Lynch (aka Thirty Pounds of Bone) plays with organic elements, including prepared piano, against electronics to impressionistic effect. Bandcamp New & Notable Feb 21, 2023
Warped electronic tones populate the latest from Willowbranches, curling and twisting into fascinating sonic shapes. Bandcamp New & Notable Jun 12, 2022
Culled from unreleased recordings from her recent "Light Sleep" and "Voice Hardcore" releases, Hiromi Moritani's latest showcases the softer, less harrowing side of Phew’s sound Bandcamp Album of the Day Sep 2, 2020